House of Songs

(Sunday)

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THE HOUSE OF SONGS

at 

OLD SETTLER’S MUSIC FESTIVAL

FEATURING 

BETTY SOO

CARRIE RODRIGUEZ 

MATT THE ELECTRICIAN

GRAHAM WEBER (WESTERN YOUTH)

SPECIAL GUEST

JAMIE LOU CONNOLLY

 

The House Of Songs is proud to premiere new collaborative work, composed at The House Of Songs to be performed exclusively at Old Settler’s Music Festival. 

 

Celebrating its 10th year, The House of Songs is a 501(c)3 that invites songwriters from around the world to share the universal language of music in collaborations designed to bridge cultures, build friendships and cultivate peace. 


 

Betty Soo

Raised outside Houston by first-generation Korean immigrant parents, educated at UT, she grew up listening to the Great American songbook and country radio.  Older sisters led her to the world of singer/songwriters, and nights spent at The Cactus Café and Hole In The Wall turned her on to the legacy of Texas song.

Her 2007 solo disc, Little Tiny Secrets, garnered heavy regional airplay; 2009’s Heat Sin Water Sin produced by Gurf Morlix (Lucinda Williams, Ray Wylie Hubbard), provided building blocks to a national (and international) audience.  In 2014, When We’re Gone, co-produced with cellist Brian Standefer (Alejandro Escovedo, Terry Allen) placed her firmly in the first rank of songwriters working today.

She’s won the requisite awards: New Folk at Kerrville, Songwriter of the Year at Big Top Chautauqua, The Dave Carter Songwriting Award at Sisters Folk Festival, the Mountain Stage New Song Competition.

She’s played the festivals – multiple South by Southwests, Kerrville, Calgary and more. And the radio shows – E-Town, Mountain Stage, WoodSongs, BBC 2 with Bob Harris.

Her singing has been heard on Riverdale and Girl Boss, and her songs formed the musical backbone to Christine Hoang’s 2017 play A Girl Named Sue, singled out by Austin360.com in their review as “gorgeous, moving ballads comment(ing) on the themes of the scenes they punctuate.”

Carrie Rodriguez

Carrie Rodriguez, a singer-songwriter from Austin, Texas, finds beauty in the cross-pollination of diverse traditions. A passionate performer, she effortlessly melds fiery fiddle playing, electrifying vocals and a fresh interpretation of new and classic songs with an “Ameri-Chicana” attitude. Her last project, the Spanish/English album “Lola,” was both a return to her musical roots and something of a departure where she delivers her own twangy, Texas-bred twist on Mexican Ranchera songs, creating culturally blended music for a culturally blended world.

Inspired by the 1940’s-era recordings of Carrie’s great aunt, Chicana singing sensation Eva Garza, the album is a mixture of new and old songs. It features Spanish songs written by some of Carrie’s favorite Mexican composers, as well as her own Ranchera-inspired original songs written in English, Spanish and “Spanglish.”

Produced by Lee Townsend, the album is supported by an all-star band, The Sacred Hearts, assembled especially for this project. The band features internationally acclaimed composer/guitarist Bill Frisell, Viktor Krauss on bass, Luke Jacobs on pedal steel and guitars, David Pulkingham on nylon string guitar and electric guitar and Brannen Temple on drums and percussion. The crowdfunded project, supported entirely by friends and fans, was released on Feb. 19, 2016 by Carrie’s own label, Luz Records.

“The outlier, Rodriguez... already so highly regarded that she’s not only captured the heart of Americana music aficionados but infused the Latino community with a singular dose of Ameri-Chicana pride.”

– TODO Magazine

Carrie, an Austin native, began playing violin at age five. Her training quickly became the passion and focus of her childhood, and by age 10, she had performed as part of a group at Carnegie Hall. She continued the classical track in her first year at Oberlin Conservatory, then shifted gears to pursue her true love affair with the fiddle—staying true to her Texas roots—at the Berklee College of Music.

Early in her career, a collaboration with singer-songwriter Chip Taylor resulted in four highly acclaimed duet albums. Her subsequent solo albums highlight the diversity of her musical identity, from her debut “Seven Angels on a Bicycle” to 2013’s “Give Me All You Got,” which reached no. 1 on the Americana Music Charts.

“A superb interpretive singer, not only milking melodies for all their pleasure but also revealing new implications in the lyrics." —The Washington Post

Carrie has toured, recorded and co-written songs with legendary artists such as Lucinda Williams, John Prine, Bill Frisell, Rickie Lee Jones, Mary Gauthier, Los Lobos, Alejandro Escovedo and Los Lonely Boys, among others. She has made numerous television and radio appearances, including Austin City Limits, The Tonight Show and A Prairie Home Companion. She has been profiled in many publications, including Rolling Stone, The New York Times, The Times of London, The New Yorker, the Washington Post and many more.

“She’s the trifecta for me – beautiful singer, soulful songwriter, and kick-ass fiddler.” —author Brené Brown

 

Carrie lives in Austin with her partner and musical collaborator Luke Jacobs, a multi- instrumentalist/singer-songwriter from Minnesota, and their son, Cruz Calvin Jacobs. 

 

Matt The Electrician

Despite the name, Matt the Electrician is no longer an electrician, focusing instead on a music career that has spanned the course of two decades, a dozen records, and thousands of shows. His music, however, remains rooted in his blue collar beginnings, with lyricism that embraces the day-to-day, the mundane, the beauty of the ordinary.

Before moving to Austin, TX and launching his career as a working-class folk musician, Matt Sever grew up on the West Coast.  His parents played John Denver and Pete Seeger songs on the family record player, and Matt spent his earliest years surrounded by the things that would later fill his own music: acoustic guitars, timeless melodies, lyrics that celebrated the joys and heartaches of everyday life, and — above all else — a strong work ethic.

That work ethic served him well in the mid-1990s, when he moved to Austin in search of new horizons and better opportunities. Matt was already playing music by then, and in need of a steady day job, he began working as an electrician, spending his days wiring houses in the Texas heat.  Once quitting time came, he'd grab his guitar and drive himself to an evening show, usually taking the stage in his work boots and sweaty clothes. "Hi; I'm Matt the Electrician," he'd tell the crowd, hoping his occupation would help explain his appearance. The name stuck, even after his growing fan base at home, as well as abroad, allowed him to hang up his pliers for good.

Matt’s most recent release, a double CD called The Doubles, is the culmination of a 2-year vinyl 45 collaborative project.

Graham Weber

Born and raised across the midwestern United States, Graham Weber has been a proud resident of Austin, Texas since 2004. He has released five solo studio albums and two live albums, toured North America and Europe as a headliner, and has supported many of his songwriting heroes including Guy Clark, Slaid Cleaves, Todd Snider, Ramblin’ Jack Elliott, Alejandro Escovado, and many more. In addition to performing as a solo troubadour, he is a member of the critically acclaimed Americana Rock & Roll band, Western Youth, fronts his 3-piece jazz combo, crooning torch songs and forgotten selections from the American Songbook, and is The Director Of Artist Management for The House Of Songs, overseeing world-wide programing and facilitating collaborations and connecting artists from more than 33 countries. 

 

Jamie Lou Connolly

 

As both a songwriter and live performer, Jamie Lou Connolly has firmly established herself in the Arkansas music scene. She has become known for her empowered yet relatable lyrics and wine-soaked vocal style. She has received multiple awards during her career, most recently winning the 2018 Arkansas Times Showcase as the front with her band Jamie Lou & The Hullabaloo. The Arkansas Times describes the band as “crescendo-ing, expansive rock with a frontwoman who summons a lilting Judy Garland to full-on Joplin-esque wild child within the same song."